A Tapestry of Voices: From Jazz to Justice and Beauty

A Tapestry of Voices

Morning: Jazz, Warmth, and the Voices That Teach Me

My eclectic room space was cold this morning, the wind rattling around the windows while the boxes of vintage finds waiting for attention were scattered around my bed, as the pets played in and around them. Guests had only just left, the sanctuary settling back into its own rhythm. I put on Jazz FM — the music that has steadied me through more anxious recent years than I ever expected to live through.

Jazz FM is more than a radio station. It’s a whole world.


A place where:

  • genres blend into each other
  • presenters become familiar companions
  • interviews feel like conversations you’ve been invited into
  • the book club opens new doors
  • the history of music is taught gently, without effort
  • personalities shine through — warm, quirky, knowledgeable, human

It’s a station full of characters, each with their own rhythm and flavour. It’s education combined with comfort. And I understand it would be impossible for any person to enjoy each branch of the Jazz spectrum, so many genres within one word. Neo Jazz. Jazztronica. Latin Jazz. Dinner Jazz. Jazz Funk. Dub Jazz. Electric Jazz. Afro Jazz. Modern Jazz. Contemporary. Traditional Jazz etc. Listen in and choose your own … mix and match 🎵 🎶 🎼 🎷.

I love sax, harp and flute. But really, there’s a space in my heart for all of it.

This morning, Tony Minvielle was on — with that unmistakable warmth he brings to every conversation. Like the other hosts there, Tony has a way of speaking to artists that makes you feel like you’re sitting in the room with them, not listening through a radio.

Today he was talking with Jill Scott — affectionately known as Jilly from Philly — a vocalist whose sound carries the weight of history. At 53, she has returned with a new album after more than a decade away from releasing original music.

Her new album, To Whom This May Concern, was released on 13 February 2026. It’s an independent release through her own imprint Blues Babe, with distribution via Human Re Sources / The Orchard. A masterclass in taking back your career. A woman in full command of her craft.

Jill grew up surrounded by music, shaped by the soul and jazz traditions that have travelled the world and become a universal language. Her influences run deep: Nina Simone, Sarah Vaughan, the horn players who taught the world how to bend a note into a story.

People say Jill can use her voice like a saxophone, and I believe it. You can hear the breath, the phrasing, the emotional curvature. It’s not imitation; it’s lineage. A shared honesty with the greats.

Her lead single Beautiful People feels like a warm exhale — a song that arrived early for many listeners, like a quiet messenger of what was coming.

Jazz begun with our dear ones across the pond in America, but jazz belongs to everyone now. It’s global, borderless, a language of unity and peace. Jill’s voice feels like part of that lineage: rooted, soulful, unafraid.

And she is not alone in this independent renaissance.
Emma‑Jean Thackray, working from her home studio in Leeds, Yorkshire, is another stunning face of modern jazz — a multi‑instrumentalist and producer blending brass band traditions, electronica, and spiritual grooves into something entirely her own.

Leeds to Philly. Emma and Jill. Two women manifesting something much greater from their own sanctuaries.


Yesterday: GB News Debate, Courage, and the Women Who Refuse to Break

Yesterday, in a completely different corner of my world, I found myself drifting into my usual rhythm of catching up with TV. I’ve never been someone who can sit still long enough for a full film; my life is too kinetic, too full of movement and responsibility. So I dip in and out of things, and as you know, that often means GB News.

Not because I agree with every topic — but because I enjoy:

  • debate
  • humour
  • freedom of speech
  • the characters who appear on screen
  • the energy of people thinking out loud

Yesterday, Nana Akua — stunningly individual, unapologetically outspoken — sat down with Nina Aouilk. And Nina wasn’t alone. Her daughter, Celeste, sat beside her, beautiful and free in that effortless way that comes from being raised in truth rather than fear.

There was something powerful in that image: a survivor and her child, both whole, both present, both refusing to be defined by the cruelty of others.


Nina Aouilk: A History of Survival and a Mission of Protection

Nina’s history is not an easy one. She survived the most unbearable physical and emotional torment at the hands of men who believed they could break her spirit. They tried to silence her. They tried to erase her. They tried to make her small.

But she refused.

And that refusal is written into everything she does now.

Nina has become a speaker, educator, and advocate for women who have suffered abuse — not from a distance, but from lived understanding. She works with survivors of:

  • coercive control
  • honour‑based violence
  • cultural oppression
  • the quiet, invisible forms of harm society still struggles to name

Her talks are direct, unflinching, compassionate. She speaks into the fire so others don’t have to burn alone.

She and Celeste are now working to create safe spaces for women and children — real rooms, real materials, real support. They’re asking for help, inviting people to contribute through a donation page that supports the resources needed to build those sanctuaries.

It isn’t charity; it’s rebuilding.
It’s protection.
It’s hope.

Watching her, something in me answered.

I want to be part of that. Not someday in the abstract, but in the near future, when my own life steadies enough to let me step forward. I want to contribute to the creation of those safe spaces. I want to stand with women who have been silenced, intimidated, or harmed. I want to use my own resilience — the same resilience that has carried me through years of digital interference, stalking and sabotage of my bedroom, business and livelihood. Using my attempted erasure — to help others find their footing again.

Please note. Due to the sensitivity of this topic and the problems endured, I have not added any links here to protect the vulnerable. These links are however available via web search.


The Realisation: These Worlds Are Not Separate

And that’s when it struck me: these worlds I move through — jazz, debate, sanctuary, resilience — they aren’t separate. They’re threads of the same tapestry.

Jill Scott’s voice heals.
Emma‑Jean Thackray’s voice innovates.
Nina Aouilk’s voice protects.
Nana Akua holds space with fire.
And I, in my own way, am learning to hold space too.

This is my world. A tapestry of sound, debate, music, personality, survival, and intention. A life stitched together by the voices that keep me company and the courage that keeps me moving forward.


🐇💛Rabbit💛🐇

Jazz, Resilience & The Ridiculous Cowards’ Playground

I haven’t been blogging as much as I should, and it’s important for all of us to resist becoming complacent with our own voice — especially in a world so often arranged by a pecking order. The quiet ones are frequently the folk with the most worthy stuff to say. But we all have our own ways of measuring self‑worth, and today, for once, I had a little time away from humping boxes around, entertaining guests, and meeting the usual obligations of day‑to‑day life.

Jazz as the Gold Dust of Life

After a couple of glasses of decent prosecco, I somehow nodded off for a long, unexpected snooze. I woke to the radio — Jazz FM, naturally — just as a repeat of April’s Jazz Awards 2025 kicked off on their station. Some of the winners were unfamiliar by name, but the moment the tracks played, they unlocked memories of summer: pottering in the yard, preparing guest rooms, bantering with the pets. Jazz has always been a unifying love‑source for me. It lifts, it steadies, it threads light through every scenario. Jazz is the gold dust of life.

When Online Shadows Spill Into Real Life

Life dishes out its blows, and in the context of the world’s problems, I feel grateful. But in my own world — as I’ve mentioned before — things took a sharp turn in November 2022. What had been a nagging, difficult situation across my online spaces escalated into something horrific in my real life. And with stalking, baiting and harrasment, it is often easier for those affected — I prefer the term survivors — to unfortunately say nothing. What can’t be seen is easily dismissed as hearsay, even when it corrodes your mental and physical wellbeing. Your entire outlook, your routine, your sense of safety and ability to earn a living can become a kind of living hell.

The Silent Weight of Stalking

Jazz has been my anchor through it. Sharing music feels like passing on a little optimism, a reminder to focus on the good that still surrounds us. And when you finally begin to emerge from the worst — which I hope I am — you look back and realise just how extreme those events truly were. With stalking, so much of the suffering happens in silence. Psychological harm is the hardest to articulate. Even worse when it gets into your actual personal space.

The Digital Cowards of Our Era

Stalking doesn’t even begin to define the extent of this problem or the way lives are being quietly ruined by cowards in their digital playgrounds. With a handful of apps and — worse still — too much spare time and financial privilege, an unstable individual can strip another person of their privacy and walk away untouched. These people often slip under the radar with charming online personas or hardcore internet fandoms they use as shields, disguising what they’re really doing behind the scenes of all that fake bravado. And that worries me.

I use women at work or women living alone as my example because that’s the category I fall into, but I know full well that kids and men also suffer at the hands of stalkers. I’m relieved to see that the government is beginning to take this more seriously. I hope — for the sake of those who will unfortunately become the next targets — that anyone who finds themselves latched onto by a stranger through any channel will receive full, meaningful support from the law. Words alone won’t fix this. We need tech experts and psychological experts who can recognise the traits early and investigate the bubbling pots before they boil over.

No woman should have to explain what has happened to her in a way that invites ridicule. And it’s essential that there are safe, accessible portals where people can speak out about their predators without feeling small, ashamed, or disbelieved. And let’s be honest: those who become obsessed with the activity of one other person need to seek professional help and recognise that what they’re experiencing is an addiction, not affection.

Reclaiming Comfort, Community & Rhythm

But I don’t want my final blog of 2025 to be defined by the negativity that has haunted my privacy and mindset since things took a turn for the worst in 2022. I want to talk about the antidotes — the things that keep us going. Keeping busy. Finding ways to engage with a community, online or offline. Creating comfort in our homes. Building little sanctuaries of our own making.

And then there’s jazz. Well — jazz for me. We all have our genres that catch us when we fall. Jazz FM has lifted some of my scariest moments into something softer, something with value and appreciation, something that reminds me that even in the darkest stretches, there is still rhythm, still warmth, still a pulse of comfort in my world.

Rising Above Spite

We should never cave in to the malice that grows out of other people’s dissatisfaction or the lack of depth they carry in their own inner turmoil. Life is precious, and it takes real strength to rise above the pressure of egotistical spitefulness. But if this kind of nonsense ever comes your way, take it as a strange sort of compliment. Yes, it can have extreme and negative implications on your life, but it also means you’re doing something right. Jealousy is, unfortunately, part of the landscape for decent people.

Small tweaks can transform the way we live. Keeping the house tidy in manageable doses. Getting out into the community or hobbying online. Baking yourself a proper meal. Learning a new skill — like me making my own body lotion, experimenting with new recipes, collecting vintage treasures, writing poetry and ideas by hand. And jazz. Always jazz. Jazz all the way. Anything that keeps us from becoming stagnant and reminds us that the cowards’ playground is nothing more than a stage for fools.

Acceptance, Freedom & Treating Others Well

Finally, it all comes down to acceptance. We see protests, violence, and bias everywhere, but for any activist who wants their voice and their freedom, there has to be an understanding that everyone else is entitled to the same. I advocate freedom of speech, but freedom of the keyboard can become a cowardly and sinister mask to hide behind. May we learn to treat others as we ourselves wish to be treated. Nobody should be excluded from music, culture, or trend because of their political leanings. We are, in the end, everything together. We’re allowed our opinions, our tastes, our chosen news sources and tribes without having to justify them to anyone.

A Note From The Fylde

The Fylde is a happy place. All are welcome here, so long as they arrive with goodness in their hearts and a willingness to contribute to our shared public spaces. And to those who support our hospitality — thank you for booking in advance. It makes all the difference. May the coming year bring fabulous travel, hope, and goodwill to everyone who passes through.

Hopes for 2026

I hope 2026 brings faith and hope to all. I hope the monsters of society are finally made to consider the lives they damage with such ease. And I want to wish everybody a very gorgeous New Year — to include our beloved friends across the pond, who continue to lead by example.

Tiffy Belle🐇

Will Downing – A Love Supreme

There are various covers of this awesome song that’s in my top 20 all time. The first being by the mighty John Coltrane. This is not the version I was searching for but love this too.

Music video by Will Downing performing A Love Supreme. (C) 1988 The Island Def Jam Music Group

Music in this video

A Love Supreme (Album Version)

Artist

Will Downing

Album

A Love Supreme

Writers

John Coltrane

Licensed to YouTube by

UMG (on behalf of Island Records); BMI – Broadcast Music Inc., LatinAutorPerf, Warner Chappell, Hipgnosis Songs Group, LLC, UMPI, UNIAO BRASILEIRA DE EDITORAS DE MUSICA – UBEM, PEDL, LatinAutor – UMPG, and 7 Music Rights Societies

This is killing me, it’s so good … ‘Bob James’ Rocket Man (original by Epic ‘Elton John’ the nicest and most gifted person in the world) #Jazz cover. J’adore …

The Bob James Trio re-imagine Elton John’s beloved track “Rocket Man”- crafting a bewitching jazz version of this classic song. Featuring: Bob James (Keys), Billy Kilson (Drums) and Michael Palazzolo (Bass) Order Feel Like Making LIVE!

Rocket Man

Artist

Bob James

Album

Feel Like Making LIVE!