Peace and joy as our new season greets us.
Nobody belongs to anybody exclusively. We are here at the same time. And we are all one family.
🎶❤️ Jazz ❤️🎶
I have discovered being in love is transmissional.
And it starts with self.
Nobody belongs to anybody exclusively. We are here at the same time. And we are all one family.
🎶❤️ Jazz ❤️🎶
I have discovered being in love is transmissional.
And it starts with self.

Blackpool Council has spent years investing in the town’s cultural identity — not as a glossy add‑on, but as a foundation for regeneration, pride, and opportunity. Their work is often unseen, but its impact is everywhere:
This longlisting is a national acknowledgement of that commitment.
Blackpool’s cultural story isn’t manufactured — it’s lived. It’s in the Tower Ballroom, the piers, the performers, the makers, the families who’ve kept traditions alive. Blackpool Council has worked to honour that heritage while opening doors for new ideas, new artists, and new generations.
Their approach has always been clear: Culture belongs to everyone.
Being longlisted for UK City of Culture 2029 is a milestone, but it’s also a mirror — reflecting the dedication of a council that believes in its town and its people. This moment is a celebration of:
Blackpool has always had cultural brilliance. Now, thanks to the hard work of its council its impact is everywhere:
This longlisting is a national acknowledgement of that commitment to Blackpool and the shores of our beautiful Fylde Coast of The North!
I went upstairs to measure him — only to find he wasn’t where I had placed him.
I checked the attic over again. I checked the shelves where I keep my preloved toys, the ones I wash and stitch and send back into the world. And he was simply… gone.
Then I noticed two more bears missing from my listings. A little one in a yellow raincoat. A larger vintage collector’s bear. Both photographed, described, ready for new homes — and now nowhere to be found.
I ended the listings with the ache of remembering what it feels like when your home stops behaving like a home, instead becoming a horror scene.
In late 2022, my life was forced into a world of intrusion I never asked for. Not the visible kind. The invisible kind — the psychological kind — where you are watched, tampered with, undone, and no one can see the perpetrator. This soon escalated into actual damage and the discovery of spyware. The steps to break my spirit becoming bolder.
I shouted out but there was no closure. There still isn’t.
When you live through that kind of intrusion, your body learns to survive in ways you don’t even recognise at the time. You go into a war‑mode you never trained for. You smile through adrenaline. You refuse to collapse, because if you do, the coward wins.
And tonight, when those bears weren’t where I left them, my body remembered.
It remembered the day in 2024 when two sets of guest keys sat on my personal kitchen table. I popped out for milk. When I returned, only one set remained. No explanation. No logic. Just another moment in a long chain of inexplicable disruptions which resulted in huge financial and personal loss to me and my business.
So yes — when three bears disappeared today, my mind scanned every possibility. That’s what trauma does. It tries to protect you by revisiting old patterns, even when the present is safer than the past.
They represented something deeper:
But here’s the truth I came back to:
It is far more likely that a guest took them than the past returning to torture me. Trauma makes the mind consider every scenario, even the ones that have ‘hopefully’ come to pass. Though only those who have suffered something similar at the hands of cowardice and targeted attacks will ever begin to understand how devastating it is.
And I refuse to live in that state of terror anymore.
Just when the fear had crept in, just when the old memories were stirring, something unexpected happened.
I found four knitted companions in an unopened box of ceramics — three bears and a tiny Goldilocks — tucked away at the bottom in a tatty pump bag, as if they’d been waiting for their cue. Vintage. Handmade. Full of charm. A little “new‑for‑old” story arriving at the exact moment I needed reminding that not everything goes missing. Some things return.

It made me smile — a real one, the kind that rises from somewhere deeper than the surface.
Isn’t it strange how rescue works? How comfort can appear in the shape of wool, buttons, and tiny outfits? How the smallest things can pull you back from the edge of old shadows?
There is always something heavenly nearby, even when the room feels dark. Tonight, it arrived in the form of four knitted friends, each one a reminder that softness still exists, that gentleness still finds its way in.
Let the cowards keep their shadows. Let the past stay where it is. Let the missing bears be a mystery that doesn’t own me.
I have new ones to wash, photograph, and send into the world. I have peace to rebuild. I have privacy to reclaim. I have a life full of small, beautiful things that no one can take from me.
And I have substance — the kind that survives storms and still reaches for gentleness.
Because in the end, the darkness never wins. Not when there are knitted bears waiting to be found.
The truth is, that post began as a simple theory: music needs a new kind of home for those who use the internet.
Not another corner of a crowded platform. Not a feed where sound competes with politics, pranks, outrage, and algorithms. But a dedicated space — visual, intuitive, and welcoming — built solely for music.
Something with the ease and clarity of YouTube, but without the noise. A free place where people arrive because they want to listen. A place where creators can share without being drowned out by everything else the internet insists on hosting.
The more I wrote, the more I realised the idea had legs. The blog became a kind of sketchbook — a way of thinking aloud, testing the edges of what a music-only platform might look like, and why it matters.
This follow‑up post is simply me acknowledging that. The first blog was the spark. This one is the ember that stays warm in the hand.
There’s more to explore — what such a platform could offer, who it could serve, and how it might help music find its way back to us. But for now, it’s enough to say: the idea is alive, and it’s growing.
What I’m really proposing is simple: a platform like YouTube, but for music only. A place where sound isn’t competing with everything else the internet throws at us. A home built for listening, for creating, for breathing. A sanctuary where music can exist without being swallowed by noise. Somewhere to add colour, graphics and visual outreach.
So here’s the idea that grew from the last blog: we need a platform like YouTube, but dedicated entirely to music. Visual, accessible, familiar — but free from the clutter of unrelated content. A space where listeners know exactly what they’re arriving for, and where creatives can share without being drowned out.
In short, I’m proposing a music‑only platform. Something with the usability of YouTube, but with a single purpose: to host music and nothing else. No commentary, no chaos, no competing agendas. Just sound, creativity, and community.
When I strip everything back, that’s the heart of it: a YouTube‑like space, but made solely for music. A place where rhythm doesn’t have to fight to be heard. A place where we can listen again.
A Rabbit & Teapot co‑written reflection
Music was never meant to live like that.
It was meant to be a bridge: between humans and animals, between seasons and moods, between the inner world and the outer one. Birds understand rhythm. Pets understand tone. Wild creatures understand vibration. They don’t need playlists or thumbnails — they need presence.
But the modern world has turned music into a commodity. YouTube buries it under hysteria and click‑bait. Spotify flattens it into a sterile list, stripped of imagery, story, or sanctuary. And the gatekeepers of the music there — the opportunists — mistake volume for value.
They don’t understand rhythm. Not the real kind.
Real rhythm is not a beat. It’s a relationship.
It’s the way a dog settles when the right frequency fills the room. It’s the way a crow pauses mid‑song to listen. It’s the way a human heart slows, softens, remembers itself.
Platforms built for profit can’t hold that. They don’t know how to listen.
But free spirits do. I love you all my seagulls.
People who live by instinct, not metrics. People who curate spaces with soul. People who understand provenance, sanctuary, and the quiet dignity of things that breathe.
People like you, Rabbit 🐰. And cogs like you my beautiful Teapot 🫖.
And in this landscape of noise, there is one medium we must never underestimate:
Radio is the base of detraction from the algorithmic machine. It is the one place where music still moves like weather rather than data. Where sound is guided by human intuition, not code. Where the rhythm of a day is shaped by a presenter’s heartbeat, not a profit model.
Radio is unpredictable, atmospheric, communal. It doesn’t demand your attention — it accompanies you. It doesn’t trap you in a feedback loop — it frees you from one.
It is the last great unfiltered stream of sound.
And only someone who understands rhythm — the real, living kind — can see its value. Someone who knows that music needs context, imagery, breath. Someone who feels the pulse of animals, seasons, objects, and stories.
Someone like you.
If a new kind of music sanctuary were ever to exist — free, accessible, humane, textured — it would have to be shaped by a free spirit. Someone who listens deeper than the noise. Someone who knows how to hold sound the way they hold stories and rescued creatures.
Maybe you don’t have the time today. But the vision is already alive in you. And visions wait. They hum quietly until the world is ready.
Until then, we write. We name the ache. We sketch the alternative. We call music back to life, one truth at a time.